BuzzWorkers - Acid Techno Tracks MP3

THAT'S A FACT#2// LIQUOR TECHNO

Events - Acid Party

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thatsafact2Line up:
-Deg // B.W.P / Fuse
-Peter Van Hoesen a.k.a VANNO // Time to Express / Foton
-Rem // Subversive sound / Crewstacé
-BAT // Enjoy Apocalypse / The Acid Mercenaries / T.A.F
and light show by Power Sound Light

// 12.02.2010 // Recyclart
// rue des ursulines 25 ursulinenstraat
//1000 Brussels
// 8/10 euro // 22h00-06h00

La techno reste le mot d'ordre et on remet ça dans un nouvel épisode des soirées "That's A Fact".
Nous continuons à aller chercher la source, l'essence même de cette musique et ça coulera donc à flots dans une "LIQUOR TECHNO". Directement influencés par les soirées Underground du début des années 90 mais avec un sang neuf, nous mélangerons donc ici les générations pour continuer notre quête de définition de La techno. Dans ce mélange nous mettrons comme ingrédients principaux deux anciens. "Deg", véritable pionnier de la scène belge qui a fait ses preuves dans les mythiques clubs comme : "Borsalino", "Boccaccio", "Network club" et "P.K studio". On l’a vu aussi à l'affiche des légendaires "Rave Explosion" et comme si ce n'était pas suffisant il était dans les membres fondateurs des "B.W.P". Pour la suite de la recette on prend Peter Van Hoesen A.K.A "VANNO" car même si pour le moment il est plus actif sur la scène allemande, son cœur est resté belge, c'est donc un retour à la maison. Il revient avec un "special live act" parsemé de mix. Pour commencer et finir la cuisson on recouvre de Rem et Bat avec leurs mix précis et fins.


De techno blijft het onderwerp en wij brengen het in een nieuwe aflevering van de avonden ", that's a fact". We zullen blijven zoeken naar de bron, de essentie van deze muziek en dan loopt als water in een
"LIQUOR TECHNO. Rechtstreeks beïnvloed door de ondergrondse partijen van het begin van de 90 ', maar met nieuw bloed, dus we zullen de generaties mengen aan onze zoektocht naar techno definieties gaan. In deze mix zullen we twee voormalige belangrijkste ingrediënt miuxen,. "Deg", pionier van de Belgische scene, maakte hij zijn bewijzen in de legendarische club als: "Borsalino", "Boccaccio", "Club Network" en "PK studio. We zagen hem ook deelnemen aan de legendarische "Rave Explosion" en alsof dat nog niet genoeg was hij in de stichtende leden van de "BWP". Het gevolg van het recept is genomen door "Peter Van Hoesen" AKA "vanno" want ook als hij op het moment meer actief is op de Duitse scene, zijn hart is Belgische gebleven, dus het is een thuiskomst. Hij keert terug met een speciale live-act "stippellijn mix. Om het koken te sarten en te eindenbestoien wij het geheel met Rem Bat en hun preciese en fijne mix.


Links:

 

Bat
www.thatsafact.be
Deg
www.fuse.be
Peter Van Hoesen A.K.A Vanno
www.t2x.eu
www.myspace.com/petervanhoesen
www.lan-muzic.com
Rem
www.myspace.com/rem303
www.myspace.com/crewstace

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Hardware & Gear

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Korg Polysix
Roland Juno-60
Roland TR-727
Roland TR 707
Roland TR808
Roland SH-101
MC-202
Roland TB 303
The Korg Polysix is a six voice programmable polyphonic synthesizer released by Korg in 1981. Source
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The Roland Juno-60 is a popular analogue 61-key polyphonic synthesizer produced by Roland Corporation in the early 1980s and a successor to the slightly earlier Juno-6. Like its predecessor, the Juno-60 has some digital enhancements, used only for clocking the oscillators and for saving/loading patches. This instrument was succeeded by the Roland Juno-106 in 1984. Source
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The TR-727 is a Latin drum kit version of the TR-707. Very cool for tribal, latin and Indian house beats. Individual outputs and volume sliders for each sound, all the same great features and cool Matrix display and MIDI implementation as the TR-707. For programming, it features a shuffle and flam effect and its programming abilities are very impressive. But it does have its limitations, the only adjustment you can make to each drum tone is volume. Source
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A very underrated drum machine! It resembles the popular TR-909, and better yet, its hi-hat, cymbals, and clap sound almost identical to the TR-909! The TR-707 is a great source for cheap 909 samples. It has some other cool features too such as its Matrix display which clearly maps out your pattern for you in an easy to read display panel. It also features both MIDI in/out and DIN sync control - the best of both worlds. Why this unit even has individual outputs for each of its drum tones! Source
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The TR-808 is a classic drum machine that used analog synthesis to create its sounds. The sounds have a very thin and pure quality and aren't grungy like it's successor the TR-909. In fact, the 808 has become the signature beatbox used in most R&B and hip-hop as well as a lot of dance and techno music. Booming bass kicks, crispy snares and that annoying cowbell sound made famous during the 80's are all part of the 808 and its famous sound. Source
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The SH-101 is very cool, especially for techno, drum&bass and ACID! It's a monophonic bass synthesizer. Its sound lies somewhere between the TB-303 and a Juno bass sound. It has a lot of simple but cool features. You can control the VCF, pitch, LFO or all from the pitch bender. It has a white noise generator, arpeggiator with up, down and up/down patterns and a simple real-time sequencer. The LFO offers random, sine, square or noise waveforms. And normal or auto portamento effects give you that elastic bass sound. There are external clock inputs for the sequencer and arpeggiator, CV/GATE inputs and outputs and a CV hold pedal. Source
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The MC-202 was sort of a next-generation TB-303. So the idea was to program sequence/patterns into it internally which would give you those 303 basslines that we've come to love. But programming the MC-202 is a bit too intense and over done for the simple monophonic bass line. However you can control it externally by hooking up a MID-CV/Gate converter. Then you basically have yourself an SH-101! Source - Manual mc-202
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The Roland TB-303 Bass Line is a synthesizer with built-in sequencer manufactured by the Roland corporation from 1982 to 1984 that had a defining role in the development of contemporary electronic music.
The TB-303 (named for "Transistor Bass") was originally marketed to guitarists for bass accompaniment while practicing alone. Production lasted approximately 18 months, resulting in only 10,000 units. It was not until the mid- to late-1980s that DJs and electronic musicians in Chicago found a use for the machine in the context of the newly developing house music genre.
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