Roland TR-727

BuzzWorkers - Hardware - Gear

727The TR-727 is a Latin drum kit version of the TR-707. Very cool for tribal, latin and Indian house beats. Individual outputs and volume sliders for each sound, all the same great features and cool Matrix display and MIDI implementation as the TR-707. For programming, it features a shuffle and flam effect and its programming abilities are very impressive. But it does have its limitations, the only adjustment you can make to each drum tone is volume. Source
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The Red House Boy present The Chase soundtrack

Mix & vocals: R303

Beats: BenAcid

Noise & ambient: Dr Lo

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Hardware & Gear

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Korg Polysix
Roland Juno-60
Roland TR-727
Roland TR 707
Roland TR808
Roland SH-101
MC-202
Roland TB 303
The Korg Polysix is a six voice programmable polyphonic synthesizer released by Korg in 1981. Source
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The Roland Juno-60 is a popular analogue 61-key polyphonic synthesizer produced by Roland Corporation in the early 1980s and a successor to the slightly earlier Juno-6. Like its predecessor, the Juno-60 has some digital enhancements, used only for clocking the oscillators and for saving/loading patches. This instrument was succeeded by the Roland Juno-106 in 1984. Source
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The TR-727 is a Latin drum kit version of the TR-707. Very cool for tribal, latin and Indian house beats. Individual outputs and volume sliders for each sound, all the same great features and cool Matrix display and MIDI implementation as the TR-707. For programming, it features a shuffle and flam effect and its programming abilities are very impressive. But it does have its limitations, the only adjustment you can make to each drum tone is volume. Source
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A very underrated drum machine! It resembles the popular TR-909, and better yet, its hi-hat, cymbals, and clap sound almost identical to the TR-909! The TR-707 is a great source for cheap 909 samples. It has some other cool features too such as its Matrix display which clearly maps out your pattern for you in an easy to read display panel. It also features both MIDI in/out and DIN sync control - the best of both worlds. Why this unit even has individual outputs for each of its drum tones! Source
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The TR-808 is a classic drum machine that used analog synthesis to create its sounds. The sounds have a very thin and pure quality and aren't grungy like it's successor the TR-909. In fact, the 808 has become the signature beatbox used in most R&B and hip-hop as well as a lot of dance and techno music. Booming bass kicks, crispy snares and that annoying cowbell sound made famous during the 80's are all part of the 808 and its famous sound. Source
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The SH-101 is very cool, especially for techno, drum&bass and ACID! It's a monophonic bass synthesizer. Its sound lies somewhere between the TB-303 and a Juno bass sound. It has a lot of simple but cool features. You can control the VCF, pitch, LFO or all from the pitch bender. It has a white noise generator, arpeggiator with up, down and up/down patterns and a simple real-time sequencer. The LFO offers random, sine, square or noise waveforms. And normal or auto portamento effects give you that elastic bass sound. There are external clock inputs for the sequencer and arpeggiator, CV/GATE inputs and outputs and a CV hold pedal. Source
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The MC-202 was sort of a next-generation TB-303. So the idea was to program sequence/patterns into it internally which would give you those 303 basslines that we've come to love. But programming the MC-202 is a bit too intense and over done for the simple monophonic bass line. However you can control it externally by hooking up a MID-CV/Gate converter. Then you basically have yourself an SH-101! Source - Manual mc-202
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The Roland TB-303 Bass Line is a synthesizer with built-in sequencer manufactured by the Roland corporation from 1982 to 1984 that had a defining role in the development of contemporary electronic music.
The TB-303 (named for "Transistor Bass") was originally marketed to guitarists for bass accompaniment while practicing alone. Production lasted approximately 18 months, resulting in only 10,000 units. It was not until the mid- to late-1980s that DJs and electronic musicians in Chicago found a use for the machine in the context of the newly developing house music genre.
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